"The she usurps upon another's right" Elizabeth Cary's Authorship

Bibliographic References

• Beili, Elaine. “Elizabhet Cary and The tragedy of Mariam”. Papers on language and Literature 16 (1980): 45-64.
• Belsey, Catherine. The Subject of Tragedy. Identity and Difference in Renaissance Drama. London and New York: Routledge, 1985.
• Callagham, Dympna. Woman and Gender in Renaissance Tragedy. Study of King Lear, The Duchess of malfi and the White Devil. Atlantic Highlands, NJ: Humanities Press International, 1989.
• Callagham, Dympna. “Re -Reading Elizabeth Cary’s The Tragedie of Mariam, Faire Queene of Jewry”. Women, Race, and Writing in the Early modern period. Eds. Margo Hendricks and Patricia Parker. London: Routledge, 1994. 163-77.
• Cary, Elizabeth. The Tragedy of Mariam. The Fair Queen of Jewry. Ed. Barry Weller and Margaret W. Ferguson. Berkeley and Los Angeles: University of California Press, 1994.
• Cary, Anne. The Lady Falkland. Her Life. By One of Her Daughters. Ed. Barry Weller and Margaret W. Ferguson. Berkley and Los Angeles: University of California Press, 1994.
• Ferguson, Margaret. “Running On with Almost Public Voice: The Case of “E.C.””. Tradition and the Talens of Women. Ed. Howe Florence. Urbana: University of Illinois Press, 1991. 37-67.
• Fischer, Sandra. “Elizabeth Cary and Tyranny, domestic and Religious”. Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Ed. Hannay Margaret Patterson. Kent State University Press, 1985. 225-37.
• Goreau, angeline. “Two English Women in the Seventeenth Century: Notes for an anatomy of Feminine Desire”. Western Sexuality. Practice and Precept in Past and Present Times. Ed. Philippe Ariès and André Bèjin. New York: Basil Blackwell Ltd., 1985. 103-13.
• Gutiérrez, Nancy A. “Valuing Mariam: Genre Study and Feminist Analysis”. Tulsa Studies in Women’s Literature 10 (1991): 233-51.
• Keeble, N. H., ed. The Cultural Identity of Seventeenth-Century Woman. A Reader, London and New York: Routledge, 1994.
• Kennedy, Gwynne. “Feminine Subjectibity in the Renaissance: The Writings of Elizabeth Cary, lady Falkland, and lady Mary Wroth”. Dissertation Abstracts International 50 (1990): 1-32. 2908A-9A.
• Kennedy, Gwynne. “Lessons of the “Schoole of Wisedom””. Sexuality and Politics in Renaissance Drama. Ed. Levin Carole. Lewiston, NY: Mellen, 1991. 113-36.
• Krontiris, Tina. “Reading with the Author’s Sex: A Comparison of Two Seventeenth Century Texts”. Gramma: Journal of theory and Criticism /Gramma: Peroiodiko Theorias kai Kritikes 1 (1993): 123-36.
• Morton, Lynn Moorhead. “”Vertue Cladde in Constant Love’s Attire”: The Countess of Pembroke as a Model for Renaissance Women Writers”. Dissertation Abstracts International 54 (1994): 56-104. 2590A-91A.
• Pearse, Nancy Cotton. “Elizabeth Cary, Renaissance Playwrigth”. Texas Studies in Literature and Language 18 (1997): 601-8.
• Quilligan, Maureen. “Staging Gender: William Shakespeare and Elizabeth Cary”. Sexuality and Gender in Early Modern Europe: Institutions, Texts, Images. Ed. James turner Grantham. Cambridge: Cambridge University Press, 1993. 208-32.
• Raber, Karen L. “Gender and the Political Subject in The tragedy of Mariam”. Studies in English Literature, 1500-1900 35 (1995): 321-43.
• Shannon, laurie J. “The Tragedy of mariam: Cry’s Critique of the Terms of Founding social Discourses”. English Literary Renaissance 24 (1994): 135-53.
• Stone, Lawrence. The Family, Sex and Marriage in England 1500-1800. Abridged ed. New York: Harper Torchbooks, 1979.
• Straznitsky, Marta. “Profane Stical Paradoxes: The Tragedie of Mariam and Sidnean Closet Drama”. English literary Renaissance 24 (1994): 104-34.
• Travitsky, Betty S. “The Femme Covert in Elizabeth Cary’s Mariam”. Ambiguous Realities: Women in the Middle Ages and Renaissance. Ed. Carole levin and Jeanie Watson. Detroit: Wyne State University Press, 1987. 184-96.
• Travitsky, Betty S. “Husband Murder and Petty Treason in English Renaissance Tragedy”. Renaissance Drama ns 21 (1990): 171-98.