Unraveling the mysteries of childhoodMetaphorical portrayals of children in Margaret Atwood’s fiction

  1. Gibert, Teresa 1
  1. 1 Universidad Nacional de Educación a Distancia
    info

    Universidad Nacional de Educación a Distancia

    Madrid, España

    ROR https://ror.org/02msb5n36

Revista:
ES Review. Spanish Journal of English Studies

ISSN: 2531-1654 2531-1646

Año de publicación: 2018

Número: 39

Páginas: 29-50

Tipo: Artículo

DOI: 10.24197/ERSJES.39.2018.29-50 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

Otras publicaciones en: ES Review. Spanish Journal of English Studies

Resumen

Las expresiones metafóricas relativas a los niños en las novelas y relatos breves de Margaret Atwood se pueden agrupar en dos series coherentes. La extensa serie negativa incluye una amplia variedad de monstruos y de animales repugnantes, mientras que en la reducida lista de representaciones positivas figuran girasoles, joyas, plumas, angelitos, regalos y corderos. En las obras de ficción de Atwood, las representaciones negativas de los niños generalmente adoptan formas no convencionales y reflejan la frustración que sienten en su vida diaria los personajes caracterizados de manera realista. En cambio, las expresiones positivas tienden a ser estereotipadas y a menudo pertenecen al mundo de los recuerdos, los sueños y las quimeras.

Referencias bibliográficas

  • Atwood, Margaret. The Edible Woman . 1969. Virago, 1989.
  • Atwood, Margaret. Survival: A Thematic Guide to Canadian Literature. Anansi, 1972.
  • Atwood, Margaret. Surfacing. 1972. Virago, 1979.
  • Atwood, Margaret. Lady Oracle. 1976. Virago, 1982.
  • Atwood, Margaret. Dancing Girls. 1977. Virago, 1989.
  • Atwood, Margaret. Life Before Man. 1979. Virago, 1982.
  • Atwood, Margaret. Bodily Harm. 1981. Virago, 1986.
  • Atwood, Margaret. Bluebeard’s Egg.1983. Virago, 1989.
  • Atwood, Margaret. Murder in the Dark: Short Fictions and Prose Poems. 1983. Jonathan Cape, 1984.
  • Atwood, Margaret. The Handmaid’s Tale. 1985. Virago, 1987.
  • Atwood, Margaret. Cat’s Eye. 1988. Bloomsbury, 1989.
  • Atwood, Margaret. Wilderness Tips. McClelland & Stewart, 1991.
  • Atwood, Margaret. The Robber Bride. McClelland & Stewart, 1993.
  • Atwood, Margaret. “A Sad Child.” Morning in the Burned House. McClelland & Stewart, 1995, pp. 4‒5.
  • Atwood, Margaret. Alias Grace. Bloomsbury, 1996.
  • Atwood, Margaret. The Blind Assassin. Nan A. Talese/Doubleday, 2000.
  • Atwood, Margaret. Oryx and Crake. Bloomsbury, 2003.
  • Atwood, Margaret. “Introduction: Reading Blind.”The Best American Short Stories 1989. Writing with Intent: Essays, Reviews, Personal Prose 1983‒2005. Carroll & Graf, 2005, pp. 68‒79.
  • Atwood, Margaret. Moral Disorder and Other Stories. Nan A. Talese/Doubleday, 2006.
  • Atwood, Margaret. The Year of the Flood. Nan A. Talese/Doubleday, 2009.
  • Atwood, Margaret. MaddAddam. Bloomsbury, 2013.
  • Barzilai, Shuli. “How Far Would You Go? Trajectories of Revenge in Margaret Atwood’s Short Fiction.” Contemporary Women’s Writing, vol. 11, no. 3, 2017, pp. 316‒35.
  • Bone, Jane. “Environmental Dystopias: Margaret Atwood and the Monstrous Child.” Discourse: Studies in the Cultural Politics of Education, vol. 37, no. 5, 2016, pp. 27 ‒40.
  • Brans, Jo. “Using What You’re Given: An Interview with Margaret Atwood.” Southwest Review, vol. 58, no. 4, 1983, pp. 301‒14.
  • Carroll, Lewis. Alice in Wonderland: Authoritative Texts of Alice’s Adventures in Wonderland, Through the Looking-glass, The Hunting of the Snark: Backgrounds, Essays in Criticism. Edited by Donald J. Gray, Norton, 1971.
  • Heilmann, Ann, and Debbie Taylor. “Interview with Margaret Atwood, Hay-on-Wye, 27 May 2001.” European Journal of American Culture, vol. 20, no. 3, 2001, pp. 132‒47.
  • Ingersoll, Earl G., editor. Margaret Atwood: Conversations. Firefly, 1990.
  • Jones, Bethan. “Traces of Shame: Margaret Atwood’s Portrayal of Childhood Bullying.” Critical Survey, vol. 20, no. 1, 2008, pp. 29‒42.
  • Kogawa, Joy. Obasan. 1981. Doubleday, 1994.
  • Kohlke, Marie-Luise. “Neo-Victorian Childhoods: Re-Imagining the Worst of Times.” Neo-Victorian Families: Gender, Sexual and Cultural Politics, edited by Marie -Luise Kohlke and Christian Gutleben, Rodopi, 2011, pp. 119‒47.
  • Lakoff, George, and Mark Turner. More than Cool Reason: A Field Guide to Poetic Metaphor. U of Chicago P, 1989.
  • Lawn, Jenny. “Born Under the Sign of Joan: Margaret Atwood’s Lady Oracle, Mommie Dearest, and the Uses of Maternal Ambivalence.” Journal of the Association for Research on Mothering,vol. 5, no. 1, 2003, pp. 33‒44.
  • Lyons, Bonnie. “Using Other People’s Dreadful Childhoods.” Ingersoll, Margaret Atwood, pp. 221‒33.
  • Oates, Joyce Carol. “My Mother Would Rather Skate Than Scrub Floors.” Ingersoll, Margaret Atwood, pp. 69‒73.
  • Renner, Karen J. The ‘Evil’ Child in Literature, Film and Popular Culture. Routledge, 2013.
  • Renner, Karen J. Evil Children in the Popular Imagination. Palgrave Macmillan, 2016.
  • Ross, Catherine Sheldrik, and Cory Bieman Davies. “More Room for Play.” Ingersoll, Margaret Atwood, pp. 152‒61.
  • Schober, Adrian. Possessed Child Narratives in Literature and Film: Contrary States. Palgrave Macmillan, 2004.
  • Waugh, Patricia. Feminine Fictions: Revisiting the Postmodern. Routledge, 2012.
  • Wojcik, Pamela Robertson. Fantasies of Neglect: Imagining the Urban Child in American Film and Fiction. Rutgers UP, 2016.