Drowning, Shipwreck, SailingT. S. Eliot' s Voyage of Transformation

Bibliographic References

• A , P. 1984. T. S. Eliot. A Life. New York: Simon & Schuster.
• C , J. E. 1971. A Dictionary of Symbols. Mineola, N. Y.: Dover Publications.
• D . 1961. The Divine Comedy. 1: Inferno. New York: Oxford University Press.
• D . 1961. The Divine Comedy. 2: Purgatorio. New York: Oxford University Press.
• D , D. 1989. Negative Spring. Crisis Imagery in the Works of Brentano, Lenau, Rilke and T. S. Eliot. New York: Peter Lang.
• D , D. 1996. “Eliot’s ‘Marina’ and Closure”. The Hudson Review 49, 3: 367-388.
• D , E. 1992. “T. S. Eliot: Mythical Vision”. Jungian Literary Criticism. Ed. Richard P. Sugg. Evanston, IL: Northwestern University Press. 9-20.
• D , E. 1970. T. S. Eliot: the Design of his Poetry. Ballimaran: Lucky Press.
• D H , N. 1978. Landscape as Symbol in the Poetry of T. S. Eliot. Jackson: University Press of Mississippi.
• E , T. S. 1974. Collected Poems 1909-1962. London: Faber & Faber.
• E , T. S. 2007. T. S. Eliot Reading “The Waste Land”, “Four Quartets” and Other Poems. New York: Harper Collins.
• E , V., ed. 1988. The Letters of T. S. Eliot. San Diego: Harcourt Brace Jovanovich.
• E , V., ed. 1971. The Waste Land. A Facsimile and Transcript of the Original Drafts Including the Annotations of Ezra Pound. Orlando, FL: Harcourt Books.
• F , J. G. 1993. The Golden Bough. A Study in Magic and Religion. Ware, Hertfordshire: Wordsworth.
• F , N. 1982. The Great Code. The Bible and Literature. San Diego: Hartcourt Brace.
• H , T. 2006. Dove Descending. A Journey into T. S. Eliot’s “Four Quartets”. San Francisco: Ignatius Press.
• J , M. 1992. T. S. Eliot and American Philosophy. The Harvard Years. Cambridge: Cambridge University Press.
• M K , C. 2011. “The Poem as Situation: Eliot’s Meaning and Pound’s Truth in The Waste Land”. The Waste Land at 90. A Retrospective. Ed. Joe Moffett. Amsterdam / New York: Rodopi. 51-72.
• M , D. 1989 T. S. Eliot and Dante. Houndmills / London: MacMillan.
• M , J. C. C. 1996. “Early Poems: from ‘Prufrock’ to ‘Gerontion’”. The Cambridge Companion to T. S. Eliot. Ed. A. D. Moody. Cambridge: Cambridge University Press. 108-120.
• M N K , C. 1987. T. S. Eliot and Indic Traditions: A Study in Poetry and Belief. Cambridge: Cambridge University Press.
• P , V. 2005. “Introducción”. La tierra baldía. Ed. V. Patea. Madrid: Cátedra. 8-189.
• R , C. 1988. T. S. Eliot and Prejudice. Berkeley and Los Angeles: University of California Press.
• S , W. 2003. Hamlet. Ed. Burton Raffel. New Haven and London: Yale University Press.
• S , W. 1999. The Tempest. London: Arden Shakespeare.
• S , M. 1999. “Poetry’s Sea-Changes: T. S. Eliot and The Tempest”. Shakespeare Survey 43. The Tempest and After. Cambridge: Cambridge University Press. 121-129.
• S B , J. and J. B . 1990. Reading “The Waste Land”. Modernism and the Limits of Interpretation. Amherst: University of Massachusetts.
• S , S. 1975. T. S. Eliot. Harmondsworth: Penguin.
• T , A. 2006. “Ulysses”. The Norton Anthology of English Literature, II. Ed. Stephen Greenblatt. New York: Norton. 1123-1125.
• V , V. A. 2009. “Human Voices in Silent Seas: A Reading of Eliot’s Love Song”. The Explicator 67, 2: 126-130.
• W , J. 1993. From Ritual to Romance. An Account of the Holy Grail from Ancient Ritual to Christian. Princeton, NJ: Princeton University Press.