Brumas y claros en el dibujo animado
- Carmen Cantillo Valero 1
- Sara Osuna Acedo 1
- 1 Universidad Nacional de Educación a Distancia (UNED), España
ISSN: 1012-1587
Ano de publicación: 2016
Número: 7
Páxinas: 333-357
Tipo: Artigo
Outras publicacións en: Opción: Revista de Ciencias Humanas y Sociales
Resumo
The Cinema, with its extraordinary communicative quality, thrills, excites and softens to persons who are subject to its influence, and shapes our identity. From the magical rituals of prehistory to the most sophisticated techniques of neuromarketing, emotional arousal strategies have been used to envelop the audience in a dreamlike State able to transform their mindsets. The theories that underlie the perception of vision of a moving image and magical affective flows that make models with which children identified in the cartoon characters are discussed in this article.