Sombras de humanidadla proyección mítica de Jack el Destripador en From Hell de Alan Moore y Eddie Campbell

  1. Antonio Ballesteros González 1
  1. 1 Universidad Nacional de Educación a Distancia (España)
Revue:
Cuadernos del Centro de Estudios en Diseño y Comunicación. Ensayos

ISSN: 1853-3523,  1668-0227

Année de publication: 2020

Titre de la publication: Literaturas gráficas y relatos visuales. Sobre poéticas y políticas de la imagen narrativa

Número: 123

Pages: 73-85

Type: Article

DOI: 10.18682/CDC.VI123.4406 DIALNET GOOGLE SCHOLAR lock_openDialnet editor

D'autres publications dans: Cuadernos del Centro de Estudios en Diseño y Comunicación. Ensayos

Résumé

This article analyses the mythical relevance of the infamous Jack the Ripper as his figure is reflected in From Hell, the prestigious graphic novel by Alan Moore and Eddie Campbell, published for the first time from 1989 to 1998 by Kitchen Sink Press in the USA. A masterpiece of the ninth art, impregnated with intertextuality and multiple meanings, From Hell constitutes, among other interpretations, an acerbic condemnation of the deeply divided and dual Victorian society that propitiated the rise of the first mod-ern serial killer. The graphic novel delves into the attraction of evil and the transformation of the Ripper in a media phenomenon, which contributed to turn him into a myth whose ubiquitous and protean presence has reached our contemporary times. This is attested by many literary, cinematographic, TV, and, in general terms, artistic recreations of the figure of the serial killer, giving rise to extremely popular trends like the “true crime” genre.

Références bibliographiques

  • Begg, P. y Bennett, J. G. (2017). Jack the Ripper. Londres: André Deutsch.
  • Begg, P., Fido, M. y Skinner, K. (1996). The Jack the Ripper A to Z. Londres: Headline (edición revisada).
  • Cornwell, P. (2003). Portrait of a Killer: Jack the Ripper —Case Closed. Nueva York: Time Warner.
  • Cullen, T. (1965). Autumn of Terror: Jack the Ripper, His Crimes and Times. Londres: The Bodley Head.
  • Evans, S. P. y Skinner, K. (2002). The Ultimate Jack the Ripper Sourcebook: An Illustrated Encyclopedia. Londres: Robinson.
  • Feldman, P. H. (1997). Jack the Ripper: The Final Chapter. Londres: Virgin.
  • Hainsworth, J. y Ward-Agius, C. (2020). The Escape of Jack the Ripper: The Full Truth about the Cover-up and His Flight from Justice. Londres: Amberley Publishing.
  • Howells, M. y Skinner, K. (1987). The Ripper Legacy. Londres: Sidgwick & Jackson.
  • Johnson, D. (2017). Jack the Ripper: Truth, Lies and Conspiracy. CreateSpace Independent Publishing Platform.
  • Knight, S. (1976). Jack the Ripper: The Final Solution. Londres: Harrap.
  • Odell, R. (1965). Jack the Ripper in Fact and Fiction. Londres: Harrap.
  • Palacios, J. (2004). “Desde el infierno”, en Desde el infierno. Una historia oculta del siglo XX. Madrid: Oberon, págs. 73-81.
  • Rubenhold, H. (2019). The Five: The Untold Lives of the Women Killed by Jack the Ripper. Londres: Doubleday.
  • Rumbelow, D. (1988). The Complete Jack the Ripper. Harmondsworth: Penguin (edición revisada).
  • Sugden, P. (2002). The Complete History of Jack the Ripper. Londres: Robinson (edición revisada).
  • Trow, M. J. (2019). Interpreting the Ripper Letters: Missed Clues and Reflections on Victorian Society. London: Pen and Sword True Crime.
  • Wilson, C. (1969). A Casebook for Murder. Londres: Leslie Frewin.
  • Wilson, C. y Odell, R. (1987). Jack the Ripper: Summing Up and Verdict. Nueva York: Bantam.
La source de données: Dialnet