Cicatriz , intimidad y sacrificiola representación del cuerpo en el teatro de angélica liddell.

Resum

At the last decade of 20th century are made changes in the european staging. Easter theatre give a importance of body. In the Western theatre the body is concealed, and his view has been static. Theatrical languages go into crisis because they do not archieve communicate to social and cultural complexities that convulse in that moment. Since this moment until nowadays the european dramatic arts experiment more physical languages. In the theater Angélica Liddell’s it is not less opposite. The body in the theater Angélica Liddell’s is not support that word, is pierced by his owned materiality. The body suffers his poetic and dramatic violence. This manifestation is defined by signs that inscribe inside her skin. Bless and scare are two unrepresentable the most private sacrifice and colective pain. This thesis bases on the analysis of body and his mechanisms of representation in the theatre Angélica Liddell’s where body is not outcome of significance. Their meanings that turn inside out and superimpose on a sway of hiding and unveiling, become in a living bodied palimsest