Theatre and Performance Studies in EnglishAn Introduction

  1. Isabel Guerrero Llorente 1
  2. Verónica Rodríguez Morales 2
  1. 1 UNED, Universidad Nacional de Educación a Distancia, España
  2. 2 University of Reading, Reino Unido
Revista:
Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses: RAEI
  1. Guerrero Llorente, Isabel (coord.)
  2. Rodríguez Morales, Verónica (coord.)

ISSN: 0214-4808 2171-861X

Año de publicación: 2021

Título del ejemplar: Theatre and Performance Studies in English

Número: 35

Páginas: 7-17

Tipo: Artículo

DOI: 10.14198/RAEI.2021.35.09 DIALNET GOOGLE SCHOLAR lock_openRUA editor

Otras publicaciones en: Alicante Journal of English Studies / Revista Alicantina de Estudios Ingleses: RAEI

Referencias bibliográficas

  • ALLAIN, Paul and Jen Harvie. 2014. The Routledge Companion to Theatre and Performance. New York: Routledge. https://doi.org/10.4324/9781315779010
  • ARORA, Swati. 2021. “A Manifesto to Decentre Theatre and Performance Studies.” Studies in Theatre and Performance 41 (1): 12-20. https://doi.org/10.1080/14682761.2021.1881730
  • BOND, Edward. 1977. Plays One. London: Methuen.
  • BOYLE, Michael S., Matt Cornish and Brandon Woolf, eds. 2019. Postdramatic Theatre and Form. London: Bloomsbury Methuen Drama.
  • GEORGE, David, Stuart Green and Duncan Wheeler. 2018. “Spanish Theatre Studies: Beyond the Text.” Hispanic Research Journal 19 (2): 108-116. https://doi.org/10.1080/14682737.2018.1444430
  • FISCHER-LICHTE, Erika. 2014. The Routledge Introduction to Theatre and Performance Studies. Edited by Minou Arjomand and Ramona Mosse. Translated by Minou Arjomand. London and New York: Routledge. https://doi.org/10.4324/9780203068731
  • NEVITT, Lucy. 2013. Theatre and Violence. Basingstoke and New York: Palgrave Macmillan. https://doi.org/10.1007/978-1-137-30228-1
  • SCHECHNER, Richard. 1992. “A New Paradigm for Theatre in the Academy.” The Drama Review 36 (4): 7-10. https://doi.org/10.2307/1146210
  • WILCOX, Dean. 2020. “Postdramatic Theatre and Form ed. by Michael Shane Boyle, Matt Cornish, and Brandon Woolf (review).” Theatre Journal 72 (2): 267-269. https://doi.org/10.1353/tj.2020.0056