Inmersión en la imagendel panorama a las nuevas realidades digitales
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Universidad Nacional de Educación a Distancia
info
ISSN: 1130-4715
Year of publication: 2021
Issue Title: El objeto desbordante. Espacios inmersivos y estrategias multisensoriales en el arte
Issue: 9
Pages: 137-160
Type: Article
More publications in: Espacio, tiempo y forma. Serie VII, Historia del arte
Abstract
The article approaches the visual technologies of immersion in the image from the paradigms of media archaeology. This paradigm makes it possible to compose a non-linear history of the media that is not dependent on the discourse of progressive sophistication of representation teleologically directed towards the achievement of a hyperreal and perfect image. In this way, one of the materialisations of the immersive image, the nineteenth-century panorama, is reconnected with current developments in virtual, augmented, and mixed realities (as well as other examples from other contexts and historical periods) and with the cultural and socio-economic forces that condition these immersive devices and their specificity as autonomous media. The article addresses, from the concepts of immersion, presence and participation, the scope of a transmedial approach to the devices, practices and experiences of digital visual culture and the significance of the questioning of the limits of the image established by the frame.
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