El verso sobre la partituraenfoques teóricos sobre la musicalización de poesía

  1. Martínez Cantón, Clara Isabel 1
  1. 1 Universidad Nacional de Educación a Distancia
    info

    Universidad Nacional de Educación a Distancia

    Madrid, España

    ROR https://ror.org/02msb5n36

Journal:
Pasavento: revista de estudios hispánicos

ISSN: 2255-4505

Year of publication: 2022

Issue Title: "Éstas que me dictó rimas sonoras": poesía y música popular en español en el cambio de siglo

Volume: 10

Issue: 2

Pages: 409-432

Type: Article

DOI: 10.37536/PREH.2022.10.2.1526 DIALNET GOOGLE SCHOLAR lock_opene_Buah editor

More publications in: Pasavento: revista de estudios hispánicos

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Abstract

Musical adaptation of poetry is a frequent and productive artistic practice that deserves careful critical attention from solid and operative theoretical assumptions. This article explores the main theoretical approaches for research in this field, pointing out what each of them highlights as a priority, its virtues, problems, and possibilities. This review follows a chronological line, from comparative literature to intersemiotic translation studies, adaptation theory and intermediality studies. This article discusses how the musical adaptation of poetry has been treated from different theoretical-critical positions. Each of these approaches has different objectives and, consequently, emphasizes and ignores different factors. Finally, we point out intermediality studies as a globalizing and promising perspective for the study of musical adaptations.

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