La figura del "Trickster" en el paisaje literario norteamericano

Referencias bibliográficas

• ANZALDÚA, G. 1987. Borderlands/La Frontera: The New Mestiza. San Francisco: Aunt Lute Books.
• ANZALDÚA, G. y Ch. L. MORAGA. 1983. The Bridge Called my Back: Writing by Radical Women of Color. New York: Kitchen Table, Women of Color Press.
• ASSALS, F. 1982. Flannery O’Connor: The Imagination of Extremity. Athens, GA: University of Georgia Press.
• BAKHTIN, M. M. 1981. The Dialogic Imagination: Four Essays. Ed. Michael HOLQUIST. Trans. Caryl Emerson and Michael Holquist. Austin: University of Texas Press.
• BELLAMY, M. O. 1979. “Everything off Balance: Protestant Election in Flannery O’Connor’s ‘A Good Man is Hard to Find?’”. The Flannery O’Connor Bulletin 8: 110-117.
• BLEIKASTEN, A. 1985. “The Heresy of Flannery O’Connor”, Critical Essays on Flannery O’Connor. Boston: G.K. Hall and Co. 151-162.
• FISHKIN, S. F. 2005. “Crossroads of Cultures: The Transnational Turn in American Studies”. American Quarterly 57, 1: 17-58.
• GENTRY, M. B. 1986. Flannery O’Connor’s Religion of the Grotesque. Jackson: University Press of Mississippi.
• GIAIMO, P. 2003. “Ethnic Outsiders: The Hyper-Ethnicized Narrator”. Laughton Higher y Fred L. Gardaphe. MELUS 28, Fall: 22-37.
• GIANNONE, R. 1999. Flannery O’Connor and the Mystery of Love. New York: Fordham University Press.
• HUGHES, L. 1999. The Best of Simple. New York: Hill and Wang.
• JOHANSEN, R. K. 1994. The Narrative Secret of Flannery O’Connor. Tuscaloosa and London: The University of Alabama Press.
• KEATING, A. L. 1996. Women Reading – Women Writing. Self-invention in Paula Gunn Allen, Gloria Anzaldúa and Audre Lorde. Philadelphia: Temple University Press.
• LOCK, H. 2006. “Transformations of the Trickster”. http:// southerncrossreview.org/18/trickster.htm (25 August 2006).
• MORAGA, Ch. L. 1993. The Sexuality of Latinas. Berkeley: Third Woman Press.
• MORRISON, T. 1981. Tar Baby. New York: Blume.
• MORRISON, T. 1984. “Memory, Creation and Writing”. Thought: A Review of Culture and Idea 59, 235: 385-390.
• MORRISON, T. 1994. “Unspeakable Things Unspoken: The Afro-American Presence in American Literature”. Within the Circle. An Anthology of African-American Literary Criticism from the Harlem Renaissance to the Present. Ed. Angelyn MITCHELL. Durham, N.C.: Duke University Press. 368-398.
• O’CONNOR, F. 1970. Mystery of Manners: Occasional Prose. Eds. Sally and Robert FITZGERALD. New York: Farrar, Straus, Giroux.
• O’CONNOR, F. 1991. “A Good Man is Hard to Find”. The Complete Stories. New York: Farrar, Straus, Giroux.
• OLIVER-ROTGER, M. A. 2004. “Literature and Ethnicity in the Cultural Borderlands”. MELUS 29, 2: 311–15.
• SMITH, J. R. 1997. Writing Tricksters. Mythic Gambols in American Ethnic Literature. Berkeley/Los Angeles/London: University of California Press.
• STEELE, C. P. 2000. The Heal from Memory. Sexton, Lorde, Anzaldúa, and the Poetry of Witness. New York: Palgrave.
• STEPHENS, M. 1972. The Question of Flannery O’Connor. Baton Rouge: Louisiana State University Press.
• VIZENOR, G. 1988. The Trickster of Liberty. Minneapolis: University of Minneapolis Press.
• WILLEFORD, W. 1969. The Fool and his Scepter: A Study in Clowns and their Audience. Evanston, Il.: North Western University Press.
• WRIGHT, S. 2000. The Trickster Function in the Theatre of Garcia Lorca. London: Tamesis.