Sound in Film
Llibre:
The Palgrave Handbook of the Philosophy of Film and Motion Pictures
ISBN: 9783030196004, 9783030196011
Any de publicació: 2019
Pàgines: 189-214
Tipus: Capítol de llibre
Referències bibliogràfiques
- Altman, Rick. 1985. The Evolution of Sound Technology. In Film Sound: Theory and Practice, ed. Elisabeth Weis and John Belton, 37–43. New York: Columbia University Press.
- ———. 1992. Four and a Half Fallacies. In Sound Theory, Sound Practice, 35–45. New York: Routledge.
- ———. 2004. Silent Film Sound. New York: Columbia University Press.
- Arnheim, Rudolph. 1957. The New Laocoon. In Film as Art, 199–230. California: California University Press.
- Balázs, Béla, Erica Carter, and Rodney Livingstone. 2010. Béla Balázs: Early Film Theory: Visible Man and the Spirit of Film. New York: Berghahn Books.
- Berliner, Todd, and Dale J. Cohen. 2011. The Illusion of Continuity: Active Perception and the Classical Editing System. Journal of Film and Video 63 (1): 44–63.
- Bonath, et al. 2007. Neural Basis of the Ventriloquist Illusion. Current Biology 17 (19): 1697–1703.
- Bordwell, David, and Kristin Thompson. 1985. Fundamental Aesthetics in Sound in Film. In Film Sound: Theory and Practice, ed. Elisabeth Weis and John Belton. New York: Columbia University Press.
- ———. 2013. Film Art. An Introduction. New York: McGraw Hill.
- Buhler, James, and David Neumeyer. 2013. Music and the Ontology of the Sound Film: The Classical Hollywood System. In The Oxford Handbook of Film Music Studies, ed. David Neumeyer. Oxford: Oxford University Press.
- Carroll, Noël. 1990. The Philosophy of Horror or Paradoxes of the Heart. New York: Routledge.
- ———. 1996. Defining the Moving Image. In Theorizing the Moving Image, 49–74. Cambridge: Cambridge University Press.
- ———. 2008. The Philosophy of Motion Pictures. Oxford: Blackwell Publishing.
- Carroll, Noël, and Margaret Moore. 2011. Music and Motion Pictures. In The Routledge Companion to Philosophy and Music, ed. Theodor Gracyk and Andrew Kania, 456–467. New York: Routledge.
- Chion, Michael. 1994. Audio-Vision. Sound on Screen. New York: Columbia University Press.
- Cohen, Annabel J. 1993. Music as a Source of Emotion in Film. In Handbook of Music and Emotion: Theory, Research, Applications, ed. Patrik Juslin and John Sloboda, 879–908. Oxford: Oxford University Press.
- ———. 2000. Film Music. Perspectives from Cognitive Psychology. In Music and Cinema, ed. James Buhler, Caryl Flynn, and David Neumeyer, 360–378. New England: Wesleyan University Press.
- Cohen, Jonathan, and Aaron Meskin. 2004. On the Epistemic Value of Photographs. Journal of Aesthetics and Art Criticism 62 (2): 197–210.
- ———. 2008. Photographs as Evidence. In Photography and Philosophy: Essays on the Pencil of Nature, ed. Scott Walden, 70–90. West Sussex: Blackwell.
- Cohen, Annabel, Kelti MacMillan, and Robert Drew. 2006. The Role of Music, Sound Effects and Speech on Absorption in a Film: The Congruence-Associationist Model of Media Cognition. Canadian Acoustics 34 (3): 40–41.
- Currie, Gregory. 1995. Image and Mind. Film Philosophy and Cognitive Science. Cambridge: Cambridge University Press.
- Eisenstein, Sergei M. 1999. Beyond the Form. In The Eisenstein Reader, ed. Taylor Richard, 82–92. London: British Film Institute.
- Eisenstein, Sergei M., V.I. Pudovkin, and Alexandrov. 1985. A Statement. In Film Sound: Theory and Practice, ed. Elisabeth Weis and John Belton, 83–85. New York: Columbia University Press.
- Gaut, Berys. 2004. Film. In The Oxford Handbook of Aesthetics, ed. Jerrold Levinson, 627–643. Oxford/New York: Oxford University Press.
- ———. 2010. A Philosophy of Cinematic Art. Cambridge: Cambridge University Press.
- Gerrig. 1993. Experiencing Narrative Worlds: On the Psychological Activities of Reading. New Haven: Yale University Press.
- Gorbman, Claudia. 1987. Unheard Melodies: Narrative Film Music. Bloomington: Indiana University Press.
- Green, Peter. 1993. Andrei Tarkovski. The Winding Quest. London: The Macmillan Press.
- Green, Melanie, and Timothy Brock. 2013. In the mind’s Eye: Transportation-Imagery Model of Narrative Persuasion. In Narrative Impact: Social and Cognitive Foundations, ed. Melanie Green, Jeffrey Strange, and Timothy Brock, 315–341. New York: Psychology Press.
- Kania, Andrew. 2009a. Realism. In The Routledge Companion to Philosophy and Film, ed. Paisley Livingston and Carl Plantinga, 237–247. New York: Routledge.
- ———. 2009b. Musical Recordings. Philosophy Compass 4 (1): 22–38.
- Krakauer, Siegfried. 1985. Dialogue and Film. In Film Sound: Theory and Practice, ed. Weis Elisabeth and John Belton, 126–142. New York: Columbia University Press.
- Kuchinke, Lars, Hermann Kappelhoff, and Stefan Koelsch. 2013. Emotion and Music in Narrative Films: A Neuroscientific Perspective. In The Psychology of Music in Multimedia, ed. Siu-Lan Tan, Annabel J. Cohen, Scott D. Lipscomb, and Roger A. Kendall, 118–138. Oxford: Oxford University Press.
- Laer, Van, Ko De Ruyter Tom, Luca M. Visconti, and Martin Wetzels. 2014. The Extended Transportation-Imagery Model: A Meta-Analysis of the Antecedents and Consequences of Consumers’ Narrative Transportation. Journal of Consumer Research 40 (5): 797–817.
- Langkjær, Birger. 2010. Making Fictions Sound Real. On Film Sound, Perceptual Realism and Genre. MedieKultur 48: 5–17.
- Lopes, Dominic. 1996. Understanding Pictures. Oxford: Oxford University Press.
- Martin, Michael G.F. 2012. Sounds and Images. The British Journal of Aesthetics 52 (4): 331–351.
- Münsterberg, Hugo. 2002. The Photoplay: A Psychological Study. In Hugo Münsterberg on Film: The Photoplay and Other Writings, ed. Allan Langdale. New York: Routledge.
- Nanay, Bence. 2010. Transparency and Sensorymotor Contingencies. Pacific Philosophical Quarterly 91 (4): 248–257.
- Pramaggiore, Maria, and Tom Wallis. 2005. Film: A Critical Introduction. London: Laurence King Publishing.
- Pudovkin, Vsevolod I. 1985. Asynchronism as a Principle of Sound Film. In Film Sound: Theory and Practice, ed. Elisabeth Weis and John Belton, 86–91. New York: Columbia University Press.
- Recanzone, Gregg H. 2009. Interactions of Auditory and Visual Stimuli in Space and Time. Hearing Research 258 (1–2): 89–99.
- Smith, Jeff. 2009. Music. In The Routledge Companion to Philosophy and Film, ed. Paisley Livingston and Carl Plantinga, 184–195. New York: Routledge.
- Walton, Kendall L. 1970. Categories of Art. Philosophical Review 79 (3): 334–367.
- ———. 1984. Transparent Pictures: On the Nature of Photographic Realism. Noûs 18 (1): 67–72.
- ———. 1990. Mimesis as Make-Believe: On the Foundations of the Representational Arts. Cambridge: Harvard University Press.