La evolución de la figura materna en las películas sobre el conflicto irlandés

  1. Josefina Martínez Álvarez
Revista:
Araucaria: Revista Iberoamericana de Filosofía, Política, Humanidades y Relaciones Internacionales

ISSN: 2340-2199,  1575-6823

Any de publicació: 2024

Títol de l'exemplar: La izquierda iberoamericana / Violencia política y construcción de paz en Irlanda del Norte

Volum: 26

Número: 56

Pàgines: 407-429

Tipus: Article

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Altres publicacions en: Araucaria: Revista Iberoamericana de Filosofía, Política, Humanidades y Relaciones Internacionales

Resum

Filmmakers have defined the feminine and maternal stereotypes in films dedicated to Irish political violence. The strong nationalist rhetoric of these films has kept the attributes of mothers as mimesis of the homeland almost unchanged since 1926. When the Peace Processes began in 1996 and after the signing of the Good Friday Agreements in 1998, directors and screenwriters enriched their narratives to show the presence of women in the public sphere. The production of these films, made in three different countries, Ireland, Great Britain and the United States, has determined the models of motherhood in line with the collective imagination of the different audiences, influencing in turn the construction of the story about the conflict and the women.

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Fuente de los datos: Dialnet